Doors open at 5pm

Illustrating the perfect underground success story, Slightly Stoopid's dual front-men Miles Doughty

(Guitar, Bass, Vocals) and Kyle McDonald (Guitar, Bass, Vocals), created their own label, Stoopid

Records, in the early 2000’s to avoid signing a record deal and keep their DIY work ethic and freedom.

West coast DUB/Rock pioneers later added musicians Ryan ‘RyMo’ Moran (Drums) and Oguer 'OG'

Ocon (Congas, Percussion, Harp, Vocals) from the B Side Players, as well as C-Money (Trumpet,

Keyboard) and Dela (Saxophone) from John Browns Body; solidifying their on stage line up. Slightly

Stoopid has built a large n’ loyal fan base, and has soared to one of the most successful independent artists

of this decade. The buzz surrounding the group continues to increase with each successive release; their

album catalog sales have topped the 700,000 mark and the group continues to fill the most prestigious

concert venues around the world.

The Slightly Stoopid story can be traced to Ocean Beach, California, when childhood chums Miles and

Kyle formed the group in 1995, mixing reggae and punk sounds into one smooth stylistic cocktail. Soon

after, late/great Sublime frontman Brad Nowell caught wind of the group, and signed them to his Skunk

Records label – while the band members were still in high school. A pair of releases soon followed for

Skunk - 1996's punk-tinged SLIGHTLY STOOPID (featuring a guest appearance by Nowell on the song

“Prophet” – later covered by Sublime and released on their box set, EVERYTHING UNDER THE SUN)

and 1998's surf-inspired cult classic THE LONGEST BARREL RIDE.

The group self-released 2001’s ACOUSTIC ROOTS: LIVE AND DIRECT (a 40-minute acoustic set,

captured live at San Diego 's Rock 105.3 radio station) – the first for their own label, Stoopid Records,

before issuing 2003's EVERYTHING YOU NEED on Surfdog (a musical departure for the band, that sold

more than 130,000 copies). The band's talent for mixing styles was never more apparent than on 2005’s

CLOSER TO THE SUN (on Stoopid Records / Caliplates / Reincarnate), which featured collaborations

with such renowned reggae names as Barrington Levy and Scientist. A year later, Slightly Stoopid issued

their first-ever electric live album, WINTER TOUR '05-'06, as well as their first-ever DVD, ‘Live in San

Diego,’ while 2007 saw the release of the group’s fifth studio effort, CHRONCHITIS, which debuted at

#55 on the Billboard 200, and #2 on the indie charts.

And through it all, Slightly Stoopid has logged some serious road miles – in addition to their incessant

criss-crossing of the U.S., which includes appearances at prestigious festivals such as Coachella,

Lollapalooza, Austin City Limits, and New Orleans Jazz Fest, among others, the group has played sold-out

shows in Australia, Japan, Guam, Amsterdam, Portugal and Denmark, the U.K., Germany, Holland, and the

Dominican Republic. “Without [the fans], we’d just be playing at the bar,” admits Kyle. “They make it

worth our while – when we go out and people are having that good of a time, the energy goes back and

forth. Just a good time – we rely on each other’s energy.” And all you have to do is look at the list of artists

that Slightly Stoopid has played with, to get a feel for how much of a large and diverse audience they

appeal to - the Dave Matthews Band, Damian “Jr. Gong” Marley and the Marley Brothers, Sublime, the

Roots, G. Love & Special Sauce, Ozomatli, Toots and the Maytals, and Pennywise, among others, as well

as their first-ever sole headlining tour of amphitheatres in 2008, joined by their friends Pepper and Sly &

Robbie.

“I think consistently touring is important,” explains Miles. “Most people take the route of trying to be

successful without even getting out there for people to hear what your band is about. The most important

thing is you can be playing in front of zero people or 20,000 people, and you’ve still got to rock the show.

When we were first starting out, literally, we played in front of nobody. We’d show up at the club, and it

would be bartenders and security guards, and ‘Yo, play your hour set – here you go!’ But after you play

that show, they tell some of their friends and their friends tell some friends. I think the Internet has helped

us a lot too, because people were able to spread the word about the music easier. The most important part is

being out there 200 days a year. You’re going back to towns twice a year, so people get to come out, and

that gave us a real loyal following. Wherever we go, you have these Stoopidheads going crazy. For us, it’s

pretty much the greatest job in the world.”

2008 saw the band issuing their first-ever ‘odds and ends’ collection, SLIGHTLY NOT STONED

ENOUGH TO EAT BREAKFAST YET STOOPID – the group’s newest release for their growing label,

Stoopid Records (which will also feature releases by other groups, including the label’s first signees, Santa

Cruz’s The Expendables). Included on SLIGHTLY NOT STONED ENOUGH are outtakes from both the

CLOSER TO THE SUN (including tracks that were previously issued as a limited edition bonus CD) and

CHRONCHITIS sessions, as well as bevy of new material recorded at Miami’s famed Circle House

Studios, and such cover tunes as UB40’s “I Would Do For You” and the traditional “I Know You Rider”

(most notably covered by the Grateful Dead). Also making their first appearance on a Slightly Stoopid

studio album are newly recorded renditions of such long-time live standards “False Rhythms” and

“Sensimilla.”

Seemingly always on the move, there appears to be no slowing down in sight for Slightly Stoopid, and

according to Miles, that’s precisely what fuels the group’s creativity. “For us, the most important thing in

the future, we just want to stay busy and always playing music – whether creating, touring, or just sitting on

your couch and jamming. I think we’ll always be recording. And just have fun – without the fun part, it

ain’t worth it.”